Kluwer Copyright Blog

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The concept of lawfulness in relation to user status or user acts has been gradually established in EU digital copyright law as a condition for the enjoyment of certain copyright exceptions.
However, the concept has proliferated inconsistently, lacking a clear normative content and shape. There is variant terminology: “lawful acquirer of

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Introduction
It took more than three years after the deadline to implement the CDSM Directive in Poland.  The new copyright law, the amended  Polish  Copyright and Related Rights Act of 1994, entered into force in the early autumn of 2024.
Poland is the last country, after Bulgaria, to implement

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Introduction
Ever since digital online transactions became ubiquitous from the late 1990s onward, the copyright world has been grappling with metadata problems. Metadata can generally be defined as “data about data”, where for example the musical recording is the central data point, and the song’s title, composer(s), performer(s), etc. are the metadata.

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Welcome back for the second part of the C-590/23 Pelham II hearing commentary. In part one (here), we covered the interpretation of pastiche. However, a very interesting topic arose in the Court’s pre-emptive questions, and during the oral questions: the interaction of “pastiche” with Article 17 CDSM

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On 14 January 2025, the Court of Justice of the European Union (CJEU) heard oral arguments in the much-anticipated case C-590/23 Pelham II, where the German Federal Court submitted a request for preliminary ruling on the interpretation of “pastiche”. The purpose was to ascertain whether a two-second sample

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Background
This blog post follows a previous post that discussed what constitutes “open source” AI, in particular in light of the EU AI Act. This post continues the discussion, in particular in light of the revision of the Open Source AI Definition (“OSAID”) released at the end of

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In Noel Redding Estate Ltd & Anor v Sony Music Entertainment UK Ltd [2025] EWCA Civ 66, the Court of Appeal has dismissed an appeal against the High Court’s refusal to grant summary judgment or strike out copyright and performers’ rights claims regarding the exploitation of the studio albums of